Feb 9, 2011
The Krasnals. Big Dwarf "Facebook – Censorship". 2011. Oil on cardboard. 50 x 70 cm
The act of censorship, removing The Krasnals facebook account is one of the biggest crimes against free culture, democracy, freedom of artistic speech in Poland since the last decade !
For a couple of days, when trying to access th account, we get the message "your account is disabled. It is damaged". After sending a series of e-mails to email@example.com, we got the reply, that we may make a group, but after registering as a real person. Without any warning, our two-year work of art has been destroyed, the data archive (photos, texts and comments were a very import_ant social voice. Is this a new form of burning inconvenient books?) and a wide amount of friends, gathered contacts, that we cannot get back. If we received some information a few days beforehand, we could have informed our friends and save the most import_ant information.
Facebook proves once again, that democracy and its main element- freedom of speech is fictional. Facebookis a syndrome of our times and a modern way of censoring. The official freedom of speech is controlled from every corner and denied to us undercover of precise terms and regulations of use. To this accusation Facebook always responds negatively.
So it requires to give out real personal data, which is impossible in the case of an anonymous artist using a pseudonym. This is the first proof allowing to get removed from facebook. But what's more important– your profile gets blocked when a certain number of people reports abuse. What does it mean?
It suffices, when some people are against critical comments, and boom- the profile disappears from public space. The accounts do not disappear according to some rules, but after reporting abuse. So first, someone has to report this and then someone has to verify this, or at least they should. Human malevolence knows no boundaries, in case some group doesn't like someone for some reason, they can easily block the account. This way we have absurdities, like freedom of speech have only those politically correct consumers of goods produced by modern corporations.
We opt for no political party, the only thing we are sensitive to is social deformation, no matter what the political source. We try to provoke discussion about some sick phenomena, especially in culture.
In our case it is a n embarrassing form of censorship, because it is known that our activity is not pleasant to everyone and is mainly executed over the internet.
Our main tool of functioning is being taken away from us.
Feb 7, 2011
Feb 1, 2011
The Krasnals. "Please...! Take me back to EGYPT! / Nefertiti". 2011. Stencil, canvas. 21 x 15 cm
Nefertiti, Neues Museum, Museum Island Berlin, Hosini Mubarak, Egypt revolution
The Krasnals exclusive interview with the queen NEFERTITI
Ready for leadership
For Nefertiti, it is a chance to shake off her image as an elitist who is out of touch after years of being abroad.
Speaking to The Krasnals reporter still being held in Neue Museum in Berlin, Nefertiti said:
“This is a critical time in the life of Egypt and I have to come to participate with the Egyptian people,"
"If people, in particular young people, ... want me to lead the transition, I will not let them down. My priority right now ... is to see a new regime and to see a new Egypt through peaceful transition."
"We're still reaching out to the regime to work with them for the process of change. Every Egyptian doesn't want to see the country going into violence," she said. "Our hand is outstretched."
"I wish that we didn't have to go to the streets to impress on the regime that they need to change," queen Nefertiti said. "There is no going back. I hope the regime stops the violence, stops detaining people, stops torturing people."
We asked Egyptians why the presence of Nefertiti is so important for them now:
"We need our beloved Queen Nefertiti to lead us to the change we want, for the regime to fall and Mubarak to leave and for a new, free Egypt to be born!"
Egyptian Antiquities in Peril; Troops Guard Museum
That breach, on Friday night, galvanized a contingent of impassioned defenders who have pledged to keep plunderers at bay. Some have been outside the museum since word of the first attack, determined to protect the country’s cultural patrimony.
“It’s the heart of our civilization,” said thirty-two-year-old Ali Said, perspiring in the noonday heat as he stood guard outside the museum Tuesday, arms linked with those of men standing beside him. “And it’s not just for us; it belongs to the entire world.”